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There’s even a drop-down filter menu for checking off the type of renderings you’re looking for to narrow down the selection. If you just want to browse and apply the existing presets, it could hardly be simpler.
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You can swap from presets to manual adjustments with a button on the toolbar – now you can build your own film renderings from scratch or modify those supplied. FilmPack 6 comes with a good selection of film looks and presets (there are more in the Elite edition) and drop-down filters to narrow down the choices. Used as a standalone program or a plug-in, FilmPack 6 is really simple to use, with big, chunky icons (maybe even too big) and no more information than you need at any one time.
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You can apply local adjustments and film renderings and analog effects simultaneously – though you don’t see the regular FilmPack interface, just a series of panels and sliders in the PhotoLab interface style. The exception is when you’re using PhotoLab and FilmPack together. However, if your images do need localised tweaks, you’ll need to do those in your ‘host’ program, with FilmPack as a plug-in or external editor to ‘finish’ the picture. If your images don’t need any, you’re in luck, and FilmPack will be fine in standalone mode. The Elite edition includes a Time Machine feature that acts as a historical encylopaedia of film and cameras, and links to presets that mimic the look of specific eras.įilmPack 6 provides just about every analog simulation tool needed to recreate the look of old emulsions and processes, but it does not include local adjustments. It’s also possible to apply vignette and blur effects. There are exposure and color controls, frames and borders, light leak effects and split toning tools. You can choose the film you want to simulate, the amount of grain and even the film format (which affects the grain size applied). In standalone mode, FilmPack 6 has a basic browser window for selecting images, and can also apply DxO’s own RAW processing and lens corrections to RAW files.įilmPack 6 offers preset film renderings and Designer presets you can apply with a single click, but these are all built up from a set of tools and adjustments which you can examine and modify yourself – and you can create your own presets. If you use it as a plug-in or external editor, the ‘host’ program will do the initial processing. In standalone use, FilmPack will open and process RAW files using DxO’s own RAW processing engine and automatic lens corrections. If you use FilmPack 6 as a standalone program, you can use its inbuilt browser to look through your images and select the ones you want to edit. It also integrates with DxO PhotoLab 5, if installed, to provide film renderings and other effects within the PhotoLab interface. You can also use it as an external editor for Capture One, for example. DxO FilmPack 6 applies scientifically derived simulataions of classic film and analogy processes and comes in a basic Essential edition and a more advanced and preferable Elite version.įilmPack 6 works both as a standalone program and as a plug-in for Lightroom and Photoshop. If you like what FilmPack 6 does, the Elite edition is almost certainly the one to go for.
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To decide between them, the best thing to do is download the 30-day trial. It also has DxO’s new Time Machine feature for learning about the development of photography through the eras and tips for recreating that look today. The Essential edition is cheaper, but the more expensive Elite edition has roughly twice as many film renderings, three times as many Designer Presets and twice as many tools overall.
The analog renderings and effects in DxO PhotoLab can do a great job of recreating classic film and darkroom looks, but it has its limitations. FilmPack 6 is a program that recreates the appearance and rendering of classic black and white and color films, together with popular darkroom techniques and ageing effects to give modern digital images an antique look.
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