Whether you’re looking for the optimum headphone output tone, or want to run it in front of a combo amplifier or direct into a PA, the PODxt allows you to make this change. The PODxt’s "AIR" feature has also been updated and has more specific settings for the final environment where the POD is used. What the PODxt is designed to do is provide the complete spectrum of tone suitable for recording from where the guitar first enters the amplifier (or before it if you choose to employ the stomp box models) to the final recording mix. The PODxt not only adds a large supply of models based on speakers and cabinets that can be mated with any of the amplifiers chosen, but it also models the final mixed sounds of various microphones that are placed on and/or off-axis in respect to the speaker. On top of it all, even the models that have been transferred over from the original POD have been redone and updated. Not only have a wealth of new models been added, but many of the classic effects boxes – from fuzzes, to delays, to Leslie speaker simulations – have all been included.
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The Line6 PODxt is a significant update to the original POD in terms of features.
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So having gone through all those years of trial and error and frustration -would I like to have a bunch of great amp and effect tones all in one small kidney-bean shaped unit? Sure thing! So let’s go explore the PODxt and see how it went…
Much of my time in the ‘80s was spent experimenting with virtually every processor, gizmo, pickup, amp and guitar that I could – all in the quest of tone. I also enjoy working on these amps so some of the love and enjoyment also comes from a different perspective – just like a person may enjoy his classic automobile – admittedly if I didn’t have any of the technical skill to maintain my amps, I’d admit that I’d likely be overly worried about issues of problems arising.Īdditionally, while I enjoy my "old amps", having a tool that promises the great tones of many types and eras of amplifiers in one package is very exciting. So where do I stand in this debate? I’m in an interesting space actually as I’m a hard-core lover of vintage tube amplifiers, but I’ll admit that they’re not without their faults and issues, especially if looking to buy one today.
the real thing." It’s easy to see modeling-critics ripping apart these solutions, not only because they promise a plethora of the greatest tones according to how they are marketed, but also because they are simply new and perhaps threaten the status quo of how music is to be made and heard. While a new loyal group of Line6 users embraced this digital modeling technology used in the original POD, some musicians were quick to judge negatively against the POD and modeling technology in general – even if they never had tried it in the first place! It is interesting that while we as musicians like to think of ourselves as individuals, we can also sometimes be "set in our ways" (how many of us play Strats, Pauls, and PRS’ or Marshall and Mesa Boogie amps in part because so-and-so does?) – and no debate has been stirred up with so much passion over recent years than the topic of "modeling vs. In fact, having this versatility in a small package made the original POD a mainstay for studio musicians and recording studios.
Any guitarist can imagine the appeal of having a musical tool that can call up a variety of guitar tones instantly at the push of a few buttons and a twist of a few knobs. Line6’s original POD unit has been wildly successful since its inception just a few short years ago and with good reason.
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